Electronic & Experimental

Dear Fellow Listeners, The old Listening Post feature of This Week in Sound has been renamed Throughline to better represent the underlying concept. The concept is an annotated three-item music playlist/mixtape, each entry centered on a different theme, that theme being the “through line” between the varied tracks. What constitutes a through line? It might be instrumentation (as in this […]

Disquiet — Aug 26, 2026

Reviews

Music Business

Bobby Owsinski News And Views: What’s Changing in Music | Bobby Owsinski's Inner Circle Ep. 639

Bobby Owsinski, author and host of Bobby Owsinski’s Inner Circle, breaks down how shifting ownership, AI adoption, and changing platform policies are reshaping the music business and professional audio landscape. Bobby examines major industry moves involving iZotope, Plugin Alliance, Native Instruments, Dynaudio, and DistroKid, alongside the Hollywood Bowl’s immersive sound upgrade and D’Addario’s controversy over undisclosed AI use. He also looks at the growing challenge of defining and labeling AI-generated music, Spotify’s efforts to combat AI spam and synthetic artist personas, and what ne

Bobby Owsinski's Inner Circle Podcast

Nightlife Destinations

They’re Making Lambrusco Sexy Again: Meet Saint Enzo Founders Myisha and Armon Moore

Saint Enzo is putting a modern luxury spin on Lambrusco, blending Italian winemaking tradition with fashion, hospitality and a whole new way of thinking about sparkling red wine. The post They’re Making Lambrusco Sexy Again: Meet Saint Enzo Founders Myisha and Armon Moore appeared first on Loop Magazine.

Loop Magazine

Electronic & Experimental

NEIL ARDLEY A Symphony Of Amaranths (Jazz Rock/Fusion, 1971)

Review by BrufordFreak — For this ambitious recording of original compositions--which were dedicated to "the two immortals who produced the greatest orchestral jazz music," Duke Ellington and Gil Evans--Neil resuscitated the old New Jazz Orchestra that he had directed and help found back in the early 1960s with Jon Hiseman and Tony Reeves (as well as Jack Bruce, Dick Heckstall-Smith, and Ian Carr and Henry Lowther). The music was recorded sometime in 1971 but it was not released to the public until sometime in 1972, probably early. The list of musicians is a veritable Who's Who of British Jazz

Prog Archives | Progressive Rock music discography and reviews